{"id":1750,"date":"2023-08-07T14:57:17","date_gmt":"2023-08-07T14:57:17","guid":{"rendered":"https:\/\/www.webstercollection.com\/?p=1750"},"modified":"2023-08-07T14:57:17","modified_gmt":"2023-08-07T14:57:17","slug":"tradition-is-not-static-santa-fe-magazine","status":"publish","type":"post","link":"https:\/\/webstersantafe.com\/fine-art\/tradition-is-not-static-santa-fe-magazine\/","title":{"rendered":"Tradition is not Static \u2013 Santa Fe Magazine"},"content":{"rendered":"\n
\n

IN THE SHADE OF THE PLAZA\u2019S WEST SIDE, <\/strong>through an old wooden doorway and up a narrow, steep flight of stairs, you find the offices of Webster Enterprises. Here sits Christopher Webster III who, with his father, runs an advisory firm offering strategic planning, investment analysis, as well as sales and marketing consulting. <\/p>\n\n\n\n

Christopher himself is an editor, a publisher, a musician, a gallerist, a real estate broker, and a shopkeeper. He\u2019s also involved in multiple tech start-ups. \u201cI\u2019ve got a lot of passions and there\u2019s a very interesting overlap between the things I\u2019m working on,\u201d he explains. <\/p>\n\n\n\n

Most of all, Christopher is a curator. This office is the home of a revolving art collection, which has just been expanded to house his new fashion line. <\/p>\n\n\n\n

He believes the curation of apparel is just as important as the curation of fine art. In fact, maybe the two are inextricably related. He also thinks curation \u2013 the mix of the Plaza and the Siler Rufina Nexus, the mix of industrial and adobe, the mix of historic cultures and newly arrived young people(!) \u2013 is what makes this town so interesting. Just avoid the old picture postcard adobe version of Santa Fe. Drink up what\u2019s coming, because curation requires constant change. That\u2019s what makes Santa Fe great. <\/p>\n\n\n\n

In your gallery, you curate art. Why the jump into fashion? <\/h3>\n\n\n\n

It\u2019s interesting to think about the intersection and the divide between art and design. Think about fine art and think about interior design or apparel \u2013 we specifically silo them from each other. There are totally different ways we think about both of those. I would say we see very little overlap. Why? <\/em><\/p>\n\n\n\n

Because when you actually look at the difference between art and design, there\u2019s just an artificial divide, when in fact, there\u2019s actually a lot of overlap in that Venn diagram. When people come into the gallery to look at art, many wind up getting interested in the apparel. And vice versa. I realized pretty early on that that intersection in this hybrid model was more engaging and made people more excited. <\/p>\n<\/div>

\"\"<\/figure><\/div>\n\n\n\n
<\/div>\n\n\n\n
\"\"
TOP LEFT, CLOCKWISE <\/strong>
\u2022 ALEX HARRIS, LAS VEGAS, NEW MEXICO, LOOKING EAST FROM MYLES SWEENEY\u2019S 1960 CHEVROLET IMPALA, JULY 1987 <\/em>
\u2022 CARLA FERNANDEZ, TRADITION IS NOT STATIC, <\/em>T\u00daNICA MANIFIESTO 
\u2022 NICHOLAS DALEY, 70\u2019S TROUSER IN PURPLE MOHAIR PLAID, AND ZIP-THROUGH SHIRT JACKET IN NAVY\/ORANGE CHECKED WOOL 
\u2022 PATRICK MCFARLIN, PORTRAIT OF JAMES TURRELL <\/em>
\u2022 SELECTIONS FROM THE COLLECTION 
\u2022 ADAM FEIBELMAN, IONO <\/em>AND TROPO <\/em>WITH CORRUGATED POTTERY STORAGE JARS FROM FOUR CORNERS, CA. 850-1200 CE 
\u2022 ROBERT STIVERS, PORTRAIT OF S <\/em>
\u2022 ADAM FEIBELMAN, TEPID WATERS <\/em>AND TWO AND A HALF WEEK SHIFT <\/em><\/figcaption><\/figure>\n\n\n\n
<\/div>\n\n\n\n
\"\"
TOP LEFT, CLOCKWISE <\/strong>
\u2022 CORRUGATED POTTERY STORAGE JAR FROM FOUR CORNERS, CA. 850-1200 CE 
\u2022 CARPE DIEM LIGHT GREY LEATHER PANT 
\u2022 ADAM FEIBELMAN, THE VAPORS <\/em>
\u2022 L.M. ALTIERI LINEN COAT 
\u2022 CHARLES GURD, RED TRIPTYCH, 2020 <\/em>WITH COUCH 
\u2022 NICHOLAS DALEY SHIRTS AND JACKETS 
\u2022 ZO\u00cb URNESS, DECEMBER 5, 2016 <\/em>
\u2022 4S DESIGNS, WORK SHIRT IN RECYCLED COTTON TWEED <\/figcaption><\/figure>\n\n\n\n
<\/div>\n\n\n\n
\n
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\u201cThe idea of picture postcard adobe Santa Fe is evolving at all times… There are continuous evolutions of how Santa Fe looks to the rest of the world.\u201d<\/p><\/blockquote><\/figure>\n\n\n\n

Would your fashion collection look different if you lived in New York? <\/h3>\n\n\n\n

I don\u2019t know that it would be that different in a large city than it is in Santa Fe. The people who come to Santa Fe also go to New York, and we\u2019re trying to put together a unique collection of things \u2013 for the local market, but also globally at the end of the day. <\/p>\n\n\n\n

Certainly your art or your fashion doesn\u2019t look like classic \u201cpicture-postcard-adobe\u201d Santa Fe. <\/h3>\n\n\n\n

Here\u2019s the thing: the idea of picture-postcard-adobe Santa Fe is evolving at all times. One of the things that makes Santa Fe so fascinating is this long-standing history with profound, deep-rooted cultures that have co-existed here and have shaped the community and the aesthetics. <\/p>\n\n\n\n

Along with that, you\u2019ve got international influences that show up and interact with this history. There are continuous evolutions of how Santa Fe looks to the rest of the world. It could include the classic Pink Adobe past as well as the richness of all of the historical cultures. But how those things interact with the contemporary world is what\u2019s truly fascinating. <\/p>\n\n\n\n

Your art collection includes abstract art, portraits, and historic photos. It reflects what you\u2019re talking about. <\/h3>\n\n\n\n

One hundred percent. That\u2019s always been a bedrock of the curation I\u2019m interested in. Contemporary art, folk art, ancient things, surprising things \u2013 I find so much beauty in all of them. And they\u2019re even better when they\u2019re together. <\/p>\n<\/div>\n\n\n\n

<\/div>\n\n\n\n
\n

In Ivy Ross\u2019s book, Your Brain On Art, <\/em>she talks about how many indigenous cultures didn\u2019t even have a word for art; it was just the way they lived. Their painting, their clothes, their pottery was all the same thing to them. <\/h3>\n\n\n\n

That\u2019s so beautiful, right? That sentiment \u2013 art to life \u2013 should be built into our thinking. <\/p>\n\n\n\n

One of my designers, Carla Fernandez, has as a core premise of her work the square shapes of primitive cultures. The evidence is that most all primitive clothing was made in squares or rectangles, because the fabrics were very difficult to cut and they couldn\u2019t fit it to the body like we do. By the time of western design, the technology allowed us to start using round shapes. <\/p>\n\n\n\n

But Carla takes her inspiration from and works in this very simple and primitive way, with these basic shapes. And she works closely with a lot of indigenous women\u2019s groups in Mexico to create a unique clothing that is closely aligned to ancient, traditional Mexican or Central American aesthetic. <\/p>\n\n\n\n

You get these amazing hand-tooled appliqu\u00e9 designs by these women on Carla\u2019s primitive shapes. She pays them all a living wage and gives them equity in each garment. Typically these are coming from places where these skills are dying out within the cultures. So she\u2019s keeping the traditions alive. <\/p>\n\n\n\n

But I\u2019m equally interested in Nicholas Daley from Edinburgh. His mother\u2019s family was in the Scottish textile industry and his father is Jamaican. So his clothes have the vibe of the beautiful Scottish fabrics and also of the reggae clubs he frequented growing up. An incredible combination. <\/p>\n\n\n\n

And there\u2019s vintage apparel, just like vintage photos in the art collection. We have 90\u2019s pieces from Maurizio Altieri that have always had archival interest from collectors. There aren\u2019t very many of these left, but we were lucky to find some in Japan. <\/p>\n\n\n\n

Eclectic. <\/h3>\n\n\n\n

Yes, eclectic. Look, Santa Fe is the Plaza, but it\u2019s also the Railyard and the Rufina Arts district and Meow Wolf and, man, all of this in a town of less than 80,000 people! That beautiful fusion is what gives us a unique voice. <\/p>\n\n\n\n

\"\"<\/a><\/figure>
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Originally Published in Santa Fe Magazine
https:\/\/www.santafemagazine.co<\/a><\/p>\n<\/div><\/div>\n<\/div>\n<\/div>\n\n\n\n

<\/div>\n","protected":false},"excerpt":{"rendered":"

In the shade of the Plaza’s west side, through an old wooden doorway and up a narrow, steep flight of stairs, you find the offices of Webster Enterprises. 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